Thursday, August 5, 2010

In Recession, Drinking Moves from Bars to Home


When the going gets tough, the tough, um, go drinking. That's the word from a new Gallup poll showing that 67% of Americans are hitting the bottle, the most since 1985. Another sign of challenging economic times: more and more of those rounds are happening in the kitchen, not at the corner pub.


A new report by Mintel International, a market-research firm, shows that a growing number of Americans are guzzling down wine and spirits at home as opposed to in bars and restaurants, and many are trading down to cheaper brands as they seek fiscally conscious ways to party in a sluggish economy.

"We used to say that [alcohol consumption] was recession-proof or at least recession-resilient, but the rules have changed in this recession," says David Henkes, a vice president at Technomic, a research and consulting firm.

Though the recession technically ended more than a year ago, high unemployment, stagnant wages, falling home prices and shrinking retirement savings have shattered consumer confidence and affected where and how much Americans imbibe, according to the Mintel report. Traffic to restaurants has plunged, with fine-dining establishments taking the biggest hit as businesses pull back on entertaining clients and consumers keep a tighter grip on their pocketbooks.

Sales of alcoholic beverages at bars and restaurants fell 4.6% in 2009, while sales at liquor stores, supermarkets and other retailers for "at home" drinking rose 1.2%, the report said. Americans are gulping 10 drinks on average each month at home, compared with only 5.7 drinks in bars and restaurants, the report notes.

Certain drugstore chains and cash-strapped state governments are trying to cash in on the trend. In the past year, Walgreens has started stocking its shelves with beer and wine, reversing a 15-year ban on alcohol sales.


And in New York, Governor David Paterson is pushing for legislation that would end a 20-year fight to allow grocery stores to sell wine — a move that would generate about $300 million in licensing fees alone. "The governor is one of the big champions of this because they're turning over every rock they can find for revenue right now," says Dan Hendrick, communications director for the New York League of Conservation Voters, an environmental group lobbying for the change as a way to raise revenue. About 35 other states already allow this.


For the booze industry, the surge in retail sales has helped to at least partially offset the decline in restaurant sales. "The suppliers still benefit as long as they're getting the volume," says Raymond Jones, an analyst at Ragen MacKenzie, a division of Wells Fargo Investments LLC.


But penny-pinching consumers are not only avoiding restaurants but also trading down to cheaper alcohol brands to save money, the Mintel study says. At the retail level, consumers have shifted their tastes to the $8-$15 wines, from the $40-$60 class, and demand for lower-priced vodka, such as Svedka, has surged. To the chagrin of suppliers, consumers "are learning they can trade down in price without trading down in quality, especially among wine," says Craig Wolf, president and chief executive of the Wine & Spirits Wholesalers Association.


Suppliers have been taking extra steps to boost sales and protect market share in light of the downturn in restaurant and bar activity. Many are offering price discounts, adding ready-to-drink cocktails in retail stores, hosting wine-tasting events and using celebrities, such as Bruce Willis for Sobieski Vodka and Dan Aykroyd for Crystal Head Vodka, to boost sales. Traditionally, liquor producers rely on bars and restaurants to launch and market new brands, but with traffic down, they're having to find new ways to get people out to the bars "If you have Bruce Willis show up at a major nightclub with Sobieski, people are going to try it out and buy it," says Wolf.

Monday, August 2, 2010

FIFA 11 FACT SHEET


FIFA Soccer 11 reinvents player authenticity – on and off the ball – for every player and at every position on the pitch with Personality+, an all-new feature that sees individual abilities reflected in game, enabling clear differentiation for every player.

With Personality+ a player’s abilities on the pitch is mirrored authentically in game, creating individual personalities. Players will be distinguished from one another through a sophisticated database that evaluates and grades each player’s skill-set over 36 attributes and 57 traits, compiled by 1700 scouts around the world. Real Madrid’s Kaka will deliver crisp, creative passes, Barcelona’s Andres Iniesta will utilize tighter turns and close control to dribble through defenses, Manchester United’s Wayne Rooney will hold off defenders and strike shots from distance with pace, and top-flight defenders like Giorgio Chiellini of Juventus will anticipate, predict and react to offensive players to win back possession.

Goalkeepers have also been injected with Personality+. The real-life personality of the keeper, whether acrobatic or traditional, will dictate his style in game. Dive attributes will determine keepers with ability to reach for further shots while reflex attributes determine reaction times, enabling a keeper like Petr Cech of Chelsea FC to showcase world-class skills.

FIFA Soccer 11 also introduces new Pro Passing where pass accuracy is determined by a gamer’s ability on the control pad, and player skill, situation and urgency on the pitch. Plus, experience true freedom in man-to-man interactions with 360° Fight for Possession that transforms physical play from just lateral jostling to full 360° collisions.

A series of new customization tools will enable fans to transform FIFA Soccer 11 in new ways. Go online in Creation Center to create a player or team, share with friends and download into your console. Plus, assign customized chants for any team and play music tracks from your existing library within the game.

New features will be announced at Gamescom in Cologne. FIFA 11 is set to ship September 28th in NA and October 1st in EU

Johnny Flynn - Been Listening


Any music lover’s most likely said these exact words at some stage in their lives: “Why isn’t [band/artist] more well-known? They really should be!” Fans of Johnny Flynn and the Sussex Wit (to give his band some recognition) would seem to have more right to complain than others.

Over the last two-and-a-bit years, the London nu-folk scene’s picked up more plaudits than you could shake a stick at. Laura Marling picked up a Mercury for ‘Alas I Cannot Swim’, and Noah and the Whale and Mumford and Sons released albums last year, to acclaim and differing degrees of commercial success.

These three have overshadowed the rest to such an extent that they are refusing to budge and allow others to step into the limelight, which is disappointing. ‘Sigh No More’ is good, but the fact that it’s been whored around to within an inch of its life his ensured that many of us who fell from them in the first place have gone off them to various extents. It’ll be interesting to hear that second album, that’s for sure.

In the meantime, what you can do is enjoy ‘Been Listening’, Flynn and band’s second album. It’s not going to sell all that well (though we cannot fathom why; it’s accessible as they come, and quite consistent), certainly not in comparison to the aforementioned acts, but we’re of the opinion that it’s easily the equal of ‘Sigh No More’, and in many areas the better of the two.

An album like this is going to achieve critical acclaim, sure enough, but if ever there was a record that had the potential to be a sleeper hit, it would be ‘Been Listening’. Straight away, Flynn signifies that he’s not afraid to try new things; ‘Kentucky Pill’ has calypso overtones, and there’s a decent amount of brass in there, too. Musically it’s about as far as away from his debut (‘A Larum’) as you can get.

While it would suggest that he’s forsaken his folk roots, it’s misleading, as we are back into familiar territory with ‘Lost and Found’. Expansion and development are the order of the day on this album. Clarinets and muted strings envelop ‘Barnacled Warship’; ‘Sweet William, Part 2’ finds Flynn playing Marcus Mumford and company at their own game.

There are lots of ideas brought to fruition on ‘Been Listening’, but its highlight is the most stripped-back song on the album. The six-minute ‘Amazon Love’ is carried by a simple yet oddly affecting piano part, proving that Flynn’s every bit as comfortable with creating that kind of song as he is, say, writing upbeat, infectious folk-rock like ‘Agnes’. Those two songs sit side-by-side in the tracklisting, and are polar opposities, but provide a brilliant contrast.

With this record, diversity is the name of the game. From the tender balladry of the title track to the sumptuous climax that graces ‘The Prizefighter and the Heiress’, and everything in between, ‘Been Listening’ is a real treat, and rather unexpectedly so: it has staying power to burn, something that certain contemporaries can only dream about for now

Friday, July 30, 2010

Denver International Airport Unveils Conceptual Design by Santiago Calatrava


DENVER, CO.- Denver International Airport (DEN) today unveiled the conceptual design of the South Terminal Redevelopment Program at the Westin Tabor Center in Denver. Speakers included Mayor John W. Hickenlooper, Denver Manager of Aviation Kim Day and Architect Santiago Calatrava. In conjunction with RTD’s FasTracks East Corridor, the South Terminal Redevelopment Program is expected to create more than 6,600 jobs and is scheduled for completion in 2016.

The South Terminal Redevelopment Program includes the construction of a train station to connect the airport to downtown Denver, a signature rail bridge and a plaza. The program also includes a planned 500-room hotel and conference center connected to Jeppesen Terminal.

DEN is one of the few major airports in the world without a passenger rail link to the downtown city core. The train station, plaza and hotel will form a highly integrated and dynamic complex located directly south of and adjacent to the existing Jeppesen Terminal. This program will complete the original plans for the airport, which included an on-site hotel and a train station for a link to downtown Denver.

At present, the South Terminal Redevelopment Program Phase I, which includes the hotel, train station, signature bridge and plaza, is estimated to cost $650 million. This estimate is based on a conceptual design, and individual projects will be developed only after analysis shows their financial viability. Phase II of the redevelopment program includes a new parking structure and renovations to the Jeppesen Terminal Great Hall. If airport management decides to move forward with Phase II of the redevelopment program, it is estimated to cost an additional $250 million, for an overall estimated total of $900 million, which is less than the $950 million originally projected.

The program will be primarily financed by General Airport Revenue Bonds (GARBs) which will be repaid from airport revenues. No taxpayer and no General Fund money from the City will be used for the program. The City is in the process of reviewing the various program components to further refine the figures and develop a financing plan.

“Denver International Airport is one of the most envied facilities in the industry,” Denver Manager of Aviation Kim Day said Thursday. “With the addition of the rail connection to our city core and the terminal hotel, we will truly be competitive with major international airports worldwide. The design complements the existing iconic architecture and provides an enhanced passenger experience while improving the connectivity for passengers and employees alike.”

The airport will approach each project in the South Terminal Redevelopment Program individually in an effort to control costs and maintain budgets.

“We are committed to fiscal responsibility for this project,” Day added. “We will keep a close eye on costs and we will not move forward with any project that does not make good financial sense. In addition, no taxpayer or General Fund dollars will be used to complete any of the projects in the South Terminal Redevelopment Program.”

Parsons Transportation Group’s Denver office was selected as program manager in July 2009 based on its expertise and proposed personnel, including Santiago Calatrava as the team’s signature architect. Calatrava is a world-renowned structural engineer and architect who has designed visually stunning and instantly recognizable structures such as the Sundial Bridge in Redding, Calif., the TGV Railway Station in Liège, Belgium, the new Sondica Airport terminal in Bilbao, Spain, and the Olympic Sports Complex in Athens, Greece.

Calatrava developed the overall concept of the South Terminal Redevelopment Program, which encompasses the siting and relationships of all the elements (hotel, train station, plaza and signature bridge) as well as establishing the passenger flow.

The hotel architect is Gensler, a global design and architecture firm with a local office in Denver. M.A. Mortenson, Co., also located in Denver, is the construction manager/general contractor (CMGC) and will collaborate in the design process with Gensler to ensure constructability and an on-time and on-budget project. The hotel, scheduled to be completed in late 2013, is expected to create approximately 1,000 construction jobs, 225 permanent hospitality jobs and will potentially provide the City with up to $2 million in annual tax revenue. Revenue generated by the hotel will be used to pay off bonds used for its construction costs. Additional non-airline revenue generated by hotel amenities and plaza retail locations will help to maintain a competitive cost structure for DEN’s airline partners.

The signature rail bridge is expected to be finished by early 2013, the terminal station two years later, and RTD’s train is scheduled to be opened to passengers in 2016. RTD’s train will link passengers between downtown’s Denver Union Station and the airport. The 22.8-mile airport corridor is the first for RTD to use commuter rail technology, with larger and heavier cars than the existing light rail system. Over 5,400 jobs are expected to be created at peak construction in 2012. It is being financed through a public-private partnership between RTD and an international team led by Fluor and Macquarie, which will operate the system for RTD.

Centre de Cultura Contemporanea de Barcelona Explores Labyrinths


BARCELONA.- The labyrinth as a construction and a symbol is present in many cultural traditions. As explained by Eco (author of the foreword to the exhibition catalogue), the thousands of years of history of this figure reveal the fascination it has always held for humankind, representing as it does an aspect of the human condition: there are countless situations that are very easy to get into, but more difficult to extract oneself from.

This exhibition, scripted by Ramon Espelt, curated and designed by Oscar Tusquets, with Jorge Wagensberg as advisor, reviews the concept and representation of the labyrinth throughout history, making a clear distinction between single-path labyrinths and mazes, labyrinths with a choice of paths, and reflecting on the relevance of this element and different practices and uses today.

The exhibition comprises a series of very varied spaces illustrated by works with a variety of different sources, formats, authors and periods, such as archaeological pieces, engravings, photographs, maps, screenings and models, plus specially created audiovisual, animated and interactive pieces.

1. Plaza
A shade structure will be created in the Pati de les Dones courtyard, with the floor plan of a rectangular labyrinth. The shade structure will be suspended over the arches at the entrance and comprise a system of cables supporting elements that will form the layout of the labyrinth. The shadows cast by this structure on the ground and the walls of the courtyard will form a labyrinth that changes with the sun’s position, which visitors can observe and walk around.

2. Unicursal Labyrinths
The layout of this space will be intricate, but there will only be one way out, in keeping with the aim of all unicursal labyrinths: the longest route on the smallest surface area (the divisions will be no more than a metre high).

An initial distinction will be made between conceptual labyrinths, drawn on stone or paper, which we can follow visually or trace with a finger, and labyrinths that we can physically enter and walk around. This sector will include stone engravings; the Cretan labyrinth represented on coins and Greek pottery; Roman mosaics; labyrinths from Gothic cathedrals; labyrinths as memorials; facsimiles of medieval manuscripts and various books from the 16th to 19th centuries that contain representations of the labyrinth.

It also presents the work of contemporary artists such as Robert Morris, Terry Fox and Richard Long, for whom historical labyrinths are a source of inspiration, bringing the representation of the unicursal labyrinth up to the present day.

This space ends with a room devoted to the figure of the Minotaur and the relationship between the labyrinth and dance.

3. Crisis in the Concept of the Unicursal Labyrinth
This section will analyze issues such as the uselessness of Ariadne’s thread in a unicursal labyrinth. It also focuses on Giovanni Fontana (15th c.), the creator of the first intentionally designed mazes that offered the freedom to choose a route at various turning points and the possibility of getting lost after reaching various dead ends.

The maze raises the issue of the need for Ariadne’s thread to find one’s way out, as an “external memory” that helps us to retrace our steps to the entrance to the labyrinth. A room will be given over to the relation between labyrinth and memory, with an ants’ nest as a central feature that explores the theme from the viewpoint of the natural sciences.

4. Mazes
As opposed to the unicursal labyrinth, the layout of this space will offer a range of alternatives, possibilities of choice and dead ends, with walls extending above eye level, unlike the unicursal labyrinth, in which the divisions are lower.

Here, the entrance centres on the hedge labyrinths that were planted in numerous aristocratic gardens in Europe between the 16th and 18th centuries. The layout divides into different rooms that will develop themes associated with real places (the labyrinth at Versailles) or creators (writers, architects, artists: Borges, Randoll Coate, Patrick Ireland, Michael Ayrton, Friedrich Dürrenmatt, Saul Steinberg, etc.) whose body of work features the theme of the labyrinth.

This space will also include a walk-through maze of mirrors and a room with an audiovisual installation that looks at the role of the labyrinth as a space of life in the cinema.

Toledo Museum of Art Announces The Egypt Experience: Secrets of the Tomb


Ancient Egyptian. Funerary Stele of Zezen-nakht. Limestone with stucco and polychrome pigment, Middle Kingdom, Dynasty 11 (2040-1991 BCE), ca. 2000 BCE. Toledo Museum of Art. Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey, 1947.

TOLEDO, OH.- Discover an ancient civilization's fascinating approach to life and the afterlife at The Egypt Experience: Secrets of the Tomb, a new exhibition opening Oct. 29 at the Toledo Museum of Art. The installation of more than 150 objects spanning 3,000 years of history will be on temporary view in a specially designed Lower Level Egyptian Gallery in the Main Museum.

TMA's popular mummies return to public view for this exploration of ancient Egyptian beliefs about life and the afterlife. Believing that if they lived good lives they would live again in a better world after death, Egyptians spent great effort to ensure the preservation of both body and spirit.

Tombs were built as "houses of eternity," places for living after death with the aid of ritual prayers, food and drink, and all the good things of life. The Egypt Experience: Secrets of the Tomb introduces visitors to the conversations between the living and the dead that formed a fundamental part of life in Egypt for thousands of years. Specially built chapels and tomb-like spaces display artifacts from the funeral ceremonies and final resting places of both royal and non-royal Egyptians.

Visitors will meet a series of individual Egyptians and learn about them from the evidence of their tombs, mummies, inscribed biographies and personal possessions. Among them are: court official Akhet-hotep, overseer of the palace of King Sneuferu; Raramu, priest of the mortuary cult of King Khufu, and his wife Ankhet; Zezen-nakht, hereditary prince and overseer of the army of the Nineth Nome; the royal physician Amunhotep, chief physician and royal scribe of King Rameses II; Henut-wedjebu, singer in the temple of Amun, and her husband Hatiay, granary overseer of the temple of Aten; and Tamesia, daughter of Tashenanoup, who was buried by her mother.

The Museum's two mummies (gifts in 1906 from the Museum's founders Mr. and Mrs. Edward Drummond Libbey) will be on view, along with results of forensic and radiological studies that reveal much about the appearance, ages, gender, lifestyles and deaths of the young priest and the old man.

Elegantly carved and painted sculptures, the coffin of the lady Ankh-Tesh, a boat model, canopic jars, shabtis, and beautiful yet heart-rending grave gifts are displayed in the dramatic series of galleries. Objects from the Museum's own antiquities collection, enhanced by beautiful and significant loans from The Metropolitan Museum of Art, the Indiana University Art Museum, The Field Museum and the Oriental Museum Institute of the University of Chicago, among others, reveal the secrets of the tomb.

Egon Schiele's Portrait of Wally Now on Display - Only Opportunity to See it in the U.S.


A woman looks at the 1912 painting 'Portrait of Wally' by Egon Schiele which is on temporary display at the Museum of Jewish Heritage in New York, New York, USA, 29 July 2010. The painting has been subject of a recently settled court case in which the United States ruled for a settlement agreement between the Bondi Jaray estate and the Leopold Museum as a result of a series of events starting with the painting having been stolen from the Bondi Jaray estate by Nazis in 1939. As part of the settlement, the painting will be on display for three weeks at the museum before being placed on permanent display at the Leopold Museum in Vienna. EPA/JUSTIN LANE.

NEW YORK, NY.- After a long awaited settlement regarding the Portrait of Wally, a 1912 oil painting by artist Egon Schiele, the painting will be on view to the public at the Museum of Jewish Heritage – A Living Memorial to the Holocaust from July 29, 2010 through August 18, 2010 before it is placed on display at the Leopold Museum in Vienna. The Museum of Jewish Heritage was chosen to host the painting by the Bondi Jaray estate who wanted "a setting that would memorialize the suffering of so many in the Holocaust and the resilience and resolve of those who escaped and/or survived." Museum Director Dr. David G. Marwell said, "We honor the memory of victims of the Holocaust every day at this Museum and we remember the millions who, while they may have themselves survived, lost their communities, families, homes, and property. While they can never recover what they have lost, it is important to set some things right when at all .

Sunday, July 25, 2010

new .. photos




Salaam, America

Saavn partners (left to right) Vin Bhat, Paramdeep Singh and Neal Shenoy, all Americans of Indian descent, formed their company in 2006. The letters in the firm's name are an acronym for South Asian audiovisual network.






In Step
Saavn has enjoyed a burst in business on the heels of the Oscar-nominated film, Slumdog Millionaire, above. Though they only control the distribution of one Mumbai-produced song from the film, its soundtrack has been a great conduit for new customers. "Slumdog's soundtrack has elevated the entire Bollywood genre and brought us a new customer base wanting to explore similar music," says co-founder Bhat.



Snoop
In 2008 rap star Snoop Dogg created a song for the Bollywood movie Singh Is Kinng, further "helping put the film and its music on the map in the U.S.," according to Bhat.




Star
Shahrukh Khan, right, with Deepika Padukone, in Om Shanti Om, is one of Bollywood's top stars, famous for his onscreen charm and off-screen work ethic. The 2007 film is one of Bollywood's most popular recent releases and one of many starring Khan that Saavn distributes outside India.




"Chandni Chowk to China"
The 2009 action musical is Warner Bros.' first Bollywood release. Saavn distributes the film's soundtrack.


Face Off
Shahrukh Khan plays a mustachioed everyman in Rab Ne Bana Di Jodi. The wealth and education level of South Asian consumers in the U.S. make them a desirable target.


Action
A 16th century battle is recreated in Jodhaa Akbar, directed by the Oscar-nominated Ashutosh Gowarikar. Last year Saavn posted revenues in the low seven figures — five times its 2007 numbers — with the largest spurt coming from its music enterprise.


New Directions
Irrfan Khan stars in Billu Barber, a 2009 release which demonstrates Bollywood's move towards a kind of independent cinema, where so-called "character actors" like Kahn play leads, while matinee idols like Shahrukh Khan make guest appearances to keep films marketable. Irrfan Khan has also forged a career for himself in Hollywood, where he has appeared in films like The Namesake, The Darjeeling Limited, A Mighty Heart, and Slumdog Millionaire.


Live, All the Time
Because of Saavn, Bollywood fans can now access ringtones and wallpapers to personalize their wireless phones. According to company co-founder Shenoy, "future media collaborations will inject Bollywood further into the mainstream. And when fans want to experience the real Bollywood genre, they'll come to us."

What's Killing the Animals at Ukraine's Biggest Zoo?


Samka the rhino looks sad. When her longtime companion, Boy the elephant, died in April, she watched over his body for an entire day until it was taken away. Today, the elephant's pen sits empty. Boy is just one of several animals at Kiev Zoo — including a camel, a bison and a zebra — that have died in recent months, some in mysterious circumstances. As the city carries out an official investigation, the deaths have prompted outrage and denial, with activists accusing the zoo of negligence and corruption and authorities pointing to an anonymous killer as the culprit.

Boy's death has brought fresh attention to a scandal that has been running for months. Serhiy Hryhoryev, a former zoo worker who runs a site campaigning for the rights of the zoo's animals, says the Indian elephant was underfed, kept in poor conditions and stressed by constant changes to the staff of handlers. "By the end, you could see his ribs," says Hryhoryev.
According to animal rights activists, the number of animals at Kiev Zoo has almost halved in the last two years; they accuse the zoo's authorities of shoddy management, corruption and neglect. The claims stretch into city hall, with critics charging city officials of carrying out shady schemes to privatize the land the zoo is located on in the center of the Ukrainian capital. The zoo's management denies the allegations, as do city officials.

Many of the complaints focus on zoo director Svitlana Berzina, with critics accusing her and her associates of taking kickbacks and leaving the animals uncared for. Andriy Kapustin, head of the Expert Council, a civic organization chronicling the animal-welfare violations at Kiev Zoo, described it as a "concentration camp" in a May 26 article he wrote for the weekly Levy Bereg. Berzina denies all accusations of corruption and states that she has been exonerated by numerous investigations.

When questioned by TIME about the mysterious deaths at the zoo, Berzina claims that some of the animals could have been poisoned by "opponents" battling for control of the zoo. Boiled eggs, which are not part of Boy's diet but were found in the elephant's enclosure after his death, could have been used to deliver poison, she says, as could a potato found with the camels. She even has a suspect: a man in his forties with an earring. The Kiev police say they have no evidence of poisoning in Boy's case.

The zoo's troubles reach back to before Berzina took over in 2008. The previous year, the zoo — once the largest and one of the best regarded in the Soviet Union — was thrown out of the European Association of Zoos and Aquaria because of concerns over animal welfare. A visit earlier this month reveals a zoo that has barely moved on from Soviet times, with its creaking, old rides and small, rundown pens and buildings. For years, Hryhoryev says, the zoo has drained huge sums of money from the city budget, "enough to build several zoos." But improvements have been thin and incomplete.

In May, city authorities finally responded to activists' calls for action, suspending Berzina and forming an investigative committee to look into the mysterious zoo deaths. Meanwhile, city hall has already washed its hands of any wrongdoing. In a statement, mayor Leonid Chernovetskiy appealed to "anyone involved in the animals' deaths in any way" to stop using "our innocent little brothers" as "a stake in your cruel games."
But activists and opposition politicians say the mayor — who appointed Berzina to run the zoo — is a big part of the problem. In his Levy Bereg article, Kapustin suggests the animal's deaths may be a ploy by city authorities, in cahoots with the zoo's management, to reduce the zoo's animal stock as an excuse to move it from the "gold mine" that is the 84 acres of land the zoo sits on.
Opponents have long accused Chernovetskiy and his team of giving away tracts of land to family and associates in sweetheart deals. The council offices were raided in early July by the state security service as part of an investigation into irregular land deals. City hall declined to comment to TIME on the claims, although officials have publicly denied allegations of improper land privatizations.

Opposition lawmaker Kyrylo Kulykov says an investigative committee in Ukraine's parliament has been set up to look into the broader problem of land corruption in Kiev, but it hasn't started working yet because of "political games." "We are fighting with the whole state apparatus," says Hryhoryev, the activist. "None of this would have happened if there had been some kind of financial control [over zoo management]." Only when the rule of law is firmly established in Ukraine will the zoo's troubles end, he adds.
Until then, Ukrainians can only hope that the animals stop dying. On a sunny day in early July, a young boy visiting the zoo runs off toward Boy's enclosure shouting: "The elephant's this way!" But when he gets there all he sees is Samka the rhino lying still and lonely in the neighboring pen.

Will Europe's Bank Stress Tests Bring Calm or Fear?


European Union policymakers might like to think their emergency measures over recent weeks have calmed market concerns about shaky public finances in vulnerable euro-zone countries. But investors are still jittery, thanks to their niggling anxieties about the bad debts held in Europe's financial institutions. Market fears that banks are hiding their losses are hindering interbank lending, choking credit and stifling economic growth.

In a bid to reassure investors, the E.U. will publish on Friday the results of its so-called stress tests on banks. These much-anticipated tests open banks' books, examine bad losses, and check whether they have enough capital to absorb a new financial crisis. They should reveal whether Europe's banking sector really is solvent and, if there are pockets of capital weakness, force investors or governments to plug the gaps.
The tests offer the promise of restoring confidence in Europe's banks and boosting the economy as a whole — E.U. regulators point out that when the U.S. published public stress tests on its banks in 2009, the move helped halt the Wall Street panic. But the tests also carry a risk: if clumsily handled, instead of allaying anxieties, they could simply sow more fear.
So how can the stress tests ensure that markets are assuaged? The answer lies in the depth and transparency of the exercise, and the response by authorities to what the test reveals.

The tests were carried out by national banking supervisors and overseen by the European Commission, the European Central Bank and the Committee of European Banking Supervisors, a London-based umbrella group. The results will cover 91 banks accounting for 65% of the European banking system.

But the tests can only do the trick if they are rigorous enough, says Nicolas Véron, a senior fellow at Bruegel, a Brussels-based economic think tank. That means some banks will have to fail, or the whole exercise will look like a charade. "If the outcome is to be credible, the stress tests will necessarily reveal significant capital shortfalls in a number of banks. Otherwise, they will increase market distrust and volatility," he says. Véron warns that national authorities across Europe have incentives to protect "their" banks and sugarcoat the results: "Transparency is the key if the stress tests are to convince investors."

Observers expect that the tests will show most of the 91 banks can survive potential economic turbulence. But there are three areas that are considered particularly exposed: Greek banks, many of which hold significant sovereign debt; Spanish Cajas, or regional banks, which have been burned by the collapse in the country's real-estate market; and the German regional banks, the Landesbanks, which took heavy losses in the American mortgage markets. At Barclays Capital, analysts estimate that, when the test results are released, they will show that the Cajas may need $46 billion of extra funding, the Landesbanks $44 billion and Greek banks $11 billion.
Many analysts are also concerned that the tests may further damage confidence if they neglect to cover the risk of large losses on sovereign defaults by Greece and other susceptible euro-zone states. Understandably, E.U. governments are reluctant to entertain default scenarios, but a "sovereign shock" is precisely the sort of test investors will be looking for. According to a leak reported by Bloomberg, the E.U.'s tests assume some defaults and apply a discount, or "haircut", to some European bonds: a 17% loss on Greek bonds and 3% on Spanish bonds. This is far less than what investors expect, at least according to recovery swaps — hedges against defaults — which imply 50% losses in a Greek default or debt restructuring, and around 30% for Spain.
But perhaps the most important question surrounding the stress tests is how governments and the banks will respond. Investors will want to know how banks that fail will raise the extra capital they need. "Indentifying clearly the timing and source of funding — either via the market or the public sector — will be a key part of the exercise and fundamental to restoring confidence," says Silvio Peruzzo, a London-based economist with the Royal Bank of Scotland.


Governments prefer banks to rely on private means, such as asset sales and stock issues, to raise any extra capital. U.S. banks largely relied on their own means to reinforce reserves after their 2009 stress tests found 10 of the 19 scrutinized banks needed additional capital. But if European banks can't find the funds themselves, government intervention may be necessary, and ECB officials have urged countries to have financial safety nets in place to prevent any disorderly failures of banks. E.U. Economics and Monetary Affairs Commissioner Olli Rehn says, as a last resort, states could turn to the $950-billion loan package the E.U. set up in May to aid indebted nations.

Rehn, like many E.U. officials, says the tests should allow the eurozone to move beyond the current crisis. But the markets are still skeptical. "It is potentially a useful exercise," says Beat Siegenthaler, an analyst at UBS in Zurich. "But what we have seen so far is that the tests are not severe enough and everybody is looking out for their own banks. If things are being glossed over, then the mistrust among banks will remain and the stress tests will do nothing to soothe the markets." In other words, if the tests fail to convince, then Europe can bank on yet more stress.

Saturday, July 24, 2010

Million dollar mistakes: Movie roles that stars turned down

Million dollar mistakes: Movie roles that stars turned down


These career-making roles could have been another notch on these A-lister's belts. Take a look at the hugely popular movie roles these stars decided to pass on. Before Angelina Jolie stepped foot on the set of 'Salt,' the title character of the spy thriller had to undergo a gender change. Tom Cruise was originally slated to play the role of Edwin A. Salt, a CIA officer who's accused of being a Russian sleeper spy. However when Jolie caught wind of the script, she took a liking to it which prompted the studio to rewrite the lead role. In the end, the role of Evelyn Salt was born.








He showed off his fancy footwork in "Risky Business," but Tom Cruise apparently declined the lead role (which went to Kevin Bacon) in "Footloose." The actor has also passed on parts in "The Talented Mr. Ripley," "Enemy of the State" and "Cold Mountain






Though Will Smith has had his fair share of acting in sci-fi thrillers, he turned down the role of Neo in the box office hit “The Matrix.” The actor, who opted to star in the movie flop, “Wild Wild West,” admits he couldn't have pulled off the lead role. He says, “You know, 'The Matrix' is a difficult concept to pitch. In the pitch, I just didn’t see it. I watched Keanu’s performance – and very rarely do I say this – but I would have messed it up



Daniel Day-Lewis' role as Guido Contini in the musical "Nine" could have been Penelope Cruz's beau, Javier Bardem, according to Variety. The "No Country for Old Men' star was originally offered the role of the famous film director, who experiences personal and creative crisis while trying to balance all the women in his life, but dropped out of the project stating he was exhausted from work and awards season.





Just one day before shooting was set to begin, Ryan Gosling stepped down from the role of Jack Salmon in Peter Jackson’s film adaptation of "The Lovely Bones." Luckily, with only a few days notice, Mark Wahlberg was able to step in and replace Gosling, who had already gained 20 pounds and grown a beard for the part. According to Variety.com, sources attribute Gosling's exit to creative differences.





Anne Hathaway may play the White Queen in Tim Burton's "Alice in Wonderland," but she could have starred as Alice if she had wanted to. Despite being offered the leading role, Hathaway turned it down because she was sick of playing a "pretty girl in a fairy dress."The actress told Britain's GQ magazine, "The studio had the Alice script a long time ago and I was approached back then for the part of Alice. I considered it, but felt, what with The Princess Diaries, that I had been there, done that sort of pretty-girl-in-a-fairy-dress role. I told the studio, however, that if they found a director eventually, that I would be interested at a later date in playing the White Queen





Academy Award-winning actress Helen Mirren was originally offered the role of social worker Mrs. Weiss in Lee Daniel’s "Precious." But when Mirren had to pull out of the project for unknown reasons, it was Mariah Carey who took her place just days before shooting began.The performance gave new life to Carey's acting career. The singer, once deemed a horrible actress for her disastrous film "Glitter," wowed critics with her powerful performance in "Precious."






"The Blind Side" star Sandra Bullock has been having the best year of her life, winning the award for Best Actress as the SAG Awards, the Golden Globes and the Oscars. But Bullock's amazing year almost didn't happen. Julia Robert was initially eyed to star in the film, but luckily for Sandra, the actress turned down the role.






Matt Damon could have had the lead role in the highest-grossing movie ever. But he turned down going blue for James Cameron's "Avatar" due to scheduling conflicts with "The Bourne Ultimatum." "Clearly my not participating cost the film a lot," Damon joked. While the role went to unknown Aussie actor Sam Worthington, it could also have been played by





Jake Gyllenhaal, who was another one of Cameron's top picks for the role of Jake Sully. Ah, what might have been ...





Talk about a huge regret! Lindsay Lohan surprisingly turned down Heather Graham's role in the blockbuster hit, 'The Hangover.' Despite having her agent reportedly campaign for her to get the role, the rehabbed actress ultimately passed on the offer because she thought the script 'had no potential.' Sadly, the same can be said for LiLo's film career.




While most guys drooled over the sight of Scarlett Johannson kicking butt in a skin-tight body suit in 'Iron Man 2,' the role of Black Widow originally belonged to Emily Blunt. Due to scheduling conflicts with her film 'Gulliver's Travels,' the British actress had to opt out of the superhero film.

Anna Chapman Reportedly Sought Princes William And Harry, Enjoyed Kinky Sex


New revelations about the private life of Anna Kushchenko Chapman, the 28-year-old New York real estate entrepreneur accused of being a deep-cover Russian spy, continue to ignite sensational media coverage on both sides of the Atlantic.

On Sunday, Britain's Daily Mirror reported that Chapman had long been fixated on Britain's royal princes William and Harry. According to sources, the Russian-born Chapman had frequented high-end London restaurants and swanky nightclubs in an effort to meet the princes before she left the U.K. in 2007.

The article quotes an unnamed pal as saying, "I remember her talking about Prince William and Prince Harry, but she was very careful not to be seen as the sort of girl who hangs around waiting for them, even though that's exactly what she was doing. As a regular at these places, Anna would have found it easy to get near the princes and was certainly pretty friendly with people in their world."

As it turns out, the British royals were hardly the most sordid of Anna's interests. Her ex-husband Alex Chapman, 30, told the British media that his wife had a penchant for kinky sex, including whips and nipple clamps.

"Anna was great in bed and she knew exactly what to do," said Alex, noting that the pair had once enjoyed a steamy rendezvous aboard a Moscow-bound flight. "The sex was great and she had this incredible body." Along with the interview, various media outlets also published racy photos -- some rumored to have been taken from the accused spy's Facebook page -- which show her cavorting in lingerie in bed. Pals of Anna say she is "humiliated" by her ex-husband's remarks and the photos.

As details of Anna's life seem to resemble a Cold War-era spy film more and more each day, it's no surprise that Hollywood may soon beckon. Singer-actress Kelly Osbourne, the daughter of rocker Ozzy who previously appeared in films such as "The Town That Boars Me," said she hopes to play the accused spy in a big-screen adaptation of the scandal if one is made.

"I am absolutely intrigued by the Russian spy story in the news at the moment," Osbourne, 25, told Closer magazine. "I want to play the glamorous red-haired one, Anna Chapman, who everyone's talking about."

Owner of Dubai's 'little Britain' jailed for non-payment of cheques


Safi Qurashi has been jailed for seven years in Dubai prison over cheques his lawyers say should not have been cashed. Above, the Balham-born developer with Piers Morgan, right, on his Great Britain in the Gulf. Photograph: Daryl Visscher/ITV
A British property tycoon hailed as one of Dubai's most successful entrepreneurs after buying a £43m island in the shape of Great Britain has been jailed for seven years for bouncing cheques and withholding payments.

Safi Qurashi, from Balham, south London, was convicted last month in the United Arab Emirates of signing cheques worth more than £50m without sufficient funds and cancelling another cheque as he moved to complete three property deals.

His imprisonment comes two years after he bought the 11-acre island that is part of the World, a man-made archipelago of 300 reclaimed sandbanks in the Gulf, fashioned into the shape of the globe's landmasses.

The islands, praised by some as an architectural miracle and condemned by others as an environmental disaster, were built in 2003 two miles off Dubai and can be seen from space.
They have become a symbol of Dubai's fading economic power in the global economic downturn. Built during the boom to be used as secluded playgrounds for the super-rich, they remain largely unused.

Qurashi is appealing to the emirate's royal ruler, Sheikh Mohammed bin Rashid al-Maktoum, claiming that his convictions are the result of a miscarriage of justice.

He is one of a growing number of Britons caught out in Dubai by laws that hand down jail sentences for cheque fraud, which have been strictly enforced in the midst of collapsing house prices, negative equity and reduced credit.

Radha Stirling, the founder of Detained In Dubai, a British-based pressure group that fights injustices in the United Arab Emirates, is backing Qurashi's claims that he has been jailed by a dogmatic court which failed to take his circumstances into account.

She said: "Security cheques are commonly used in Dubai in business and private agreements as collateral. The law states that bouncing a cheque is illegal and can be punished with a sentence of three years in prison. But the legal system in Dubai does not take into account any circumstances or evidence surrounding the bounced cheques, leaving the law open to abuse or misuse."

Qurashi, 41, the son of a Pakistan-born travel agent, was a successful businessman in London, developing one of the first internet cafes in Soho. In 2004 he moved to Dubai, where he flourished, friends say. Four years later, his company, Premier Real Estate Bureau, turned over £400m and employed 80 staff.
He came to international prominence after buying the island in 2008. In an interview for the ITV show Piers Morgan On Dubai, he told the journalist that he planned to build a glitzy resort that would be a homage to his home city. "I am proud of my British heritage and not a day goes past when I don't miss London. It's home at the end of the day and who doesn't miss home?" he said.

Friends say Qurashi was arrested alongside his business partner in January after a Russian investor attempted to cash two multimillion-pound cheques, which both bounced.

Qurashi's legal team claimed that the cheques were presented after a property deal between the two parties had been completed and that the money was not owed.

He and his business partner were convicted on both charges in May and June this year. He has also been convicted of a third offence – this time for stopping a cheque – and is due to appear before a court next month to appeal against three years of his seven-year sentence.

Qurashi is being held in Dubai's central prison. His wife and three young children are permitted to visit him once a week. The British consulate is aware of his case.

A friend of Qurashi said he had the funds to pay out on the cheques but the courts did not take this into account. "The cheques were cashed by an investor … The cheques were a security deposit and should never have been cashed because Safi did not owe him money," he said. "Safi wants to develop the island into a resort and plans to do so when he gets out of prison. But right now, he can't do anything."

Dubai's World archipelagoWhen the World project was launched in 2003, it was hoped celebrities and the super-rich would snap up the islands. Angelina Jolie and Brad Pitt were reported to have considered buying Ethiopia. David Beckham, Rod Stewart, Michael Jackson and Prince Albert of Monaco were also rumoured to be interested.

None bought into the project. Most of the islands remain undeveloped, although it has been reported that the owner of the unpartitioned Ireland transported an Irish castle stone-by-stone to the Gulf.

Nakheel Properties created the foundations within five years, from 11bn cubic feet of sand and 47m tonnes of rock. But the development was criticised by environmental activists, who said the construction of artificial islands damaged coral reefs and shifts water currents.

Nakheel, which is in talks with creditors on restructuring $10.5bn of bank debt, has asked lenders to respond to the proposal by the end of next month, according to reports.

The developer met its creditor banks on Wednesday to present the proposed recapitalisation and restructuring plan

The spy Anna Chapman ago tiene muñeca


The spy rusa Anna Chapman of expulsada recientemente por Estados Unidos y que ello fue primera página en los por su belleza tabloids neoyorquinos y su melena roja, ya tiene una con su muñeca effigy that sells hoy por Internet.

La firma Herobuilders.com, tiene su sede that in Oxford (Connecticut), comercializa una muñeca Barbie tipo en dos versiones, "The Predator (depredadora)" y "The Spy I Could Love (The spy that has pude amar)" por 29.95 dólares.

In the sexy officer una rusa that Cabella luce su roja that the dio tanta fama in EE.UU. como una nueva Mata Hari, aparecer muy musculoskeletal, ataviada con una camiseta y azules pants blanca, dispuesta has acción.

La otra muñeca por la firma comercializada Estadounidense will ataviada con una falda Unicamente tableada tipo de cuadros colegiales in topless y con una pistola in mano.

A principios de julio las autoridades Estadounidense desarticularon una red de oz spies in favor de Rusia Moscú that has deportaron luego y desde entonces tienen entrada prohibida in the territorio of este país.

De ellos, más popular fue the Anna Chapman, una joven 28 años, propietaria one negocio de ventas inmobiliarias por internet y que divorcio is one Britanico, su Apellido del that conservó unas fotos y que el ex marido the Estando semidesnuda hizo y that circularon después por la web.

El presidente of Homebuilders.com Emil Vitale, suma así belleza rusa has a list of Muñecos populares personajes su empresa that sells, among los que están Governess to the former ex candidata Sarah Palin Republicana o el Consejero delegado of Petrolera BP Tony Haywards, that al anuncian como "el hombre más y que EE.UU. odiado of estar pronto in paro".

In the galería de figurines de acción están también of Homebuilders of el presidente EE.UU., Barack Obama y su esposa, Michelle, así como la presidenta of the Cámara de Representantes, Nancy Pelosi, Joe Biden Vicepresidente el, ahora el financiero convicto Bernie Madoff y el presidente of Irán, Mahmud Ahmadineyad.

Can Egypt change?: political institutions need reform


Sometimes it seems that the only things that change in Egypt are the police uniforms. In November, when temperatures dip into the 60s, they don black woolen outfits. A few months later, generally March, when it starts getting quite warm again they switch back to their white cotton duds. Everything else seems to be just about the way it always was -- my one-eyed barber sitting in the same chair today as the day I met him a decade ago; the guys from the baqqel across the street from where I used to live doing just about the same things as they did when I bid them farewell all those years ago; my doorman is still lording over his corner of Mohamed Mazhar street, and Hosni Mubarak is still the president talking about "stability for the sake of development." Yet, the president, who has worked with five U.S. counterparts, three of whom served two terms, is sick. Official denials aside, the timeline for succession is more likely 12-18 months rather than the three-to-five years that had been the working assumption until the president's hospitalization in Germany last March. Mubarak's imminent demise has prompted analysts, policymakers, journalists and other observers to ask, "Can Egypt change?" While the question seems apt at the twilight of the Mubarak era, it nevertheless seems oddly ahistoric.

Of course, Egypt can change. It changed in July, 1952 when the Free Officers deposed King Farouk and a short time later disposed of their own initial efforts at reforming Egypt's parliamentary system in favor of building an entirely new political order. Egypt changed in 1970 when Anwar Sadat succeeded Gamal Abdel Nasser. Out went the statism, the "non-aligned alignment" with the Soviets, the Arab nationalism, and war with Israel. Change came again in October, 1981 with Sadat's assassination. Mubarak split the difference between his two predecessors -- hanging onto Sadat's economic liberalization or infitah, moving Cairo back toward the Arab mainstream (while not repudiating Sadat's separate peace with Israel), and keeping Washington at arm's length while continuing to secure its largesse. Beyond the big issues of Egypt's foreign policy and ideological orientation, there have been less noticed social and socio-economic changes in Egypt. When Mubarak took the oath of office on October 14, 1981 the Egyptian population was 45.5 million, or slightly more than half of what it is today. Egypt's gross domestic product was approximately $40 billion; it now tops $145 billion. There were only 430,000 telephone lines in the entire country, now there are approximately 11 million. The life expectancy of the average Egyptian was 57 years old; it is now 70. The World Bank reports that in 1981 the literacy rate was less than 50 percent, now 66 percent of Egyptians can read. By a host of measures, life in Egypt has changed radically and for the better over the course of the three decades.

Yet in the category of "if everything seems so good, why do I feel so bad," even with all the important socio-economic changes that have occurred, the country's trajectory nevertheless seems flat. Indeed, in the abstract, Egypt today looks much like the country the Free Officers took over 58 years ago -- poor, dependent on a global power, and authoritarian. The central problem is the nature of Egypt's political institutions. Nasser and his associates developed a set of political institutions -- rules, regulations, and laws -- in response to the internal political challenges they confronted consolidating their power in the months following the July, 1952 coup. These rules, regulations, and laws were inherently anti-democratic, rigged to serve the interests of the officers along with their civilian allies, and formed the basis for subsequent institutional development. Those who benefitted from this political order -- the armed forces, regime intellectuals, bureaucracy, internal security services, and big business (after infitah in 1974) -- have become a powerful constituency for autocracy. As long as the collective welfare of these groups remain connected to the regime, the kind of institutional change necessary for a more open and democratic political system is unlikely. That's why the ruling-National Democratic Party's "New Thinking and Priorities" was never intended to do anything other than institutionalize the power of the ruling party under the guise of political change. Reform conflicts with the worldview and material interests of Egypt's leaders and their constituents.

It is not just the formal institutions of the state, however, but a whole series of unwritten rules that shape the way Egyptians calculate what is in their best interests. To be sure, this is hardly unique to Egyptian society, but it nevertheless provides some insight into change and Egypt's apparent resistance to it. There is a curious tendency for some reform-minded young professionals to throw their lot in with the regime, despite a professed desire for a fundamental transformation of Egyptian politics and society. Protestations abound about the desire to effect change from working within the state apparatus, but reality is that the Egyptian regime manifests a powerful system of reward and punishment that encourages a measure of political conformity for those not willing to take their risks with Egypt's vaunted internal security services.

The inevitable question, "What can we do about this?" is the sine qua non of all Washington policy discussions. The answer is precious little. Institutional change is rare because it is hard and almost always associated with some sort of dramatic disequilibrium -- defeat in war, revolution, or economic collapse. Yet, there are some things that outsiders can do particularly in the context of Egypt's looming succession so that when Hosni Mubarak does take his last sail up the Nile, Washington has made it clear that it is on the side of transparency, free and fair elections, and non-violence. Still, these kinds of declarations of principle say more about the United States, which is a good thing, than the likelihood they will influence the thinking of Egypt's new leader who will be seeking to consolidate his hold on power and thus dependent on the very same groups who have an abiding interest in maintaining the status quo.

New sex scandal shaking the Vatican


New scandal rocked the Catholic Church in Italy, where the Daily Telegraph newspaper reported that a photographer from the weekly magazine Panorama, owned by conservative Prime Minister Silvio Berlusconi has picked up footage of three clerics in the club for homosexuals.

The press has been used a hidden camera to film interviews with clergy Oqrnaihm of homosexuals in the club, are often reluctant to it.

According to the magazine reported that one of the priests, a Frenchman named Paul had led the Mass in the morning before leading two of his companions were gay for a ceremony in the evening, received the Catholic Church scandal, emphasizing the inevitability of the expulsion of these priests who are living a double life and the existence of leaving the priesthood of the Bible.

In a statement issued on Friday by the Diocese of Rome Church confirmed that the vast majority of priests in Rome's 1300 and they are honest and models of ethics followed by all.

Vatican did not comment on the report published by Italian magazine, but a senior source said: "It's usually silly summer, where they often try to attract readers of the press during the summer months quiet." He added, "there is no evidence that these people involved are men of religion."

The Catholic Church insists on the need freshness priests, also confirms Christian that homosexuality is a sin, and in 2008 the Vatican issued guidelines indicating that all trainees to enter the priesthood, not to join if they have gay tendencies sex.

Said Georgi Mall Editor Panorama: "The investigation, which took two weeks was not intended to create a scandal, but to show that there are some clergy who act contrary to the teachings of religion."

Forbes list of billionaires (2010)


The following list is Forbes ranking of the world's richest billionaires as of February 12, 2010, and does not reflect changes since then. There are 1,011 names in this year’s list.[3] United States currently has the most billionaires amongst the world's top 10 but India is expected to soon overtake the United States to gain more billionaires among the world’s top 10 than any other country.[4]







Tony Robbins Kissed My Hand and I Liked It


I did not go to meet Tony Robbins, the motivational speaker famous for infomercials in which he commands people to "unleash the power within," to mock him. I figured that part would just come naturally. And I was not too worried about Robbins converting me to his system of optimism and self-worth. Robbins may have 33 years' experience speaking in front of 4 million people, but I have been successfully unmotivated for 39 years.

What I didn't realize is that Robbins likes to give people assignments — impossible tasks like getting a quadriplegic shut-in to skydive on his upcoming NBC reality show, Breakthrough with Tony Robbins. And while he never explicitly said so, it was clear by the end of our five hours together that he was issuing me the toughest assignment he'd ever given: to write a column about Tony Robbins without making fun of him.
Robbins approaches me in a whiz of enthusiastic glee; he has even more energy in person than he does on TV. "If I talked on TV the way that I do in real life, people would think I'm insane," he says. Robbins talks quickly and loudly, often cursing and sometimes crying, and he puts his 6-ft. 7-in. body right next to mine, touching my arms and chest. When telling a story about someone kissing someone else's hand, Robbins kisses my hand. Which motivates me to yank my hand back.

After hearing all about his show and his estate in Fiji, I ask Robbins to guide my life. He takes a page from my notebook, on which he draws his theory, LC=BP: happiness is when your life conditions are the same as your blueprint. After asking me a bunch of questions about what I'm proud of (my career, my involvement in my community ... O.K., just my career), we deduce that the things I value most are significance and variety. "I would say love is what you really want, but your strategy is to be significant to get people to love you," he says. Throughout, Robbins quotes a shocking number of articles I've written, which makes me feel very, very loved.

I am so enthralled by Robbins' figuring me out that I try to trick him into telling me another story about men kissing hands. I ask him how I can accept my imperfections, which seems easier than actually changing my life. To which he says, "Your model is not to accept," then asks, "What is it?"

"To judge," I say.
Robbins fist-bumps me hard, which takes me by surprise after the hand kiss. "That's why I said, 'Do I want to be interviewed by this guy today?'" he says. "'He's sarcastic. He judges.' I have a different job. It's to understand and help."

I point out that this sounds a lot like judging. But he argues no. "We need critics," he says.
I do not believe he thinks critics are as valuable as people who inspire quadriplegic shut-ins to have full lives. Mostly because they are not.

"No," he insists. "The model you have is hierarchical. Which is why you judge." Until that moment, I had assumed I judge people because otherwise there's nothing to do while pretending to listen to them.


At dinner, Robbins' hot wife Sage sits at a different table so Robbins can focus on me. Robbins is a major focuser. The vast majority of times I've had sex, I have not been this focused on. I ask him how I can become friends with the celebrities I meet, as he does; Robbins is tight with Bill Clinton, Anthony Hopkins, Andre Agassi and Quincy Jones. "I'm looking to understand and help them, which makes it easy to be a friend," he says. "But that's not your goal. There are only so many friends you can have." I think this is Tony Robbins' way of telling me he doesn't want to be my friend.

Next I ask Robbins how I can improve. This is one of many words he doesn't like. "Your opportunity is to be less judgmental of yourself. I can own myself. I don't have to lower someone else for me to be higher," he says. He argues that I'll be less critical of others if I stop believing that I lucked into a gig in which I seem funny only because I'm in the world's least funny magazine without the word science in the title.

Before I leave him, Robbins says — no doubt touching me somewhere — "Whatever you write, I'll still like you. And I'm sure you'll test me." But even though I have about 20 solid Tony Robbins jokes ready to go, it turns out I don't want to make fun of him. Not because I want him to be my friend but because I want to be my own friend. God, I hope this wears off soon.


Iraq's Political Impasse: Who Needs a Government?


It's not much of a surprise that Iraq's dysfunctional political class still has yet to form a government five months after its election. More of a surprise is that the country hasn't fallen apart as a result of the political stalemate. After all, the five months of foot-dragging by Iraq's politicians after the previous election in 2005 was the prelude to civil war. This time, while Iraq remains a dangerous place and al-Qaeda-inspired militants are active in several cities, levels of violence have remained fairly stable — and far below their 2007 zenith. The fact that the country has held together without a government is even more remarkable considering that the U.S. is keeping to its timeline for troop withdrawals despite the political uncertainty. There will be just 50,000 U.S. troops in Iraq by August, down from more than 165,000 in 2007.

It remains to be seen whether or not the stable security situation will persist as the U.S. presence diminishes. Much of the debate in policy circles has focused on the readiness of Iraq's military to stand on its own. American officials tout the improved efficacy of Iraqi security forces, and their ability to plan and stage combat operations without U.S. assistance. Critics point out that while the White House has declared that all U.S. combat troops will be gone by August, American forces still run combat operations in dangerous cities such as Mosul, though the military calls them "stability" operations, and will probably continue to do so for some time.

But the debate about Iraq's military capacity may be beside the point. A major reason for the country's stability despite the political limbo is that the political class still sees more to be gained from playing the democratic political game than by returning to the streets. For now, they may have little choice: Iraq's political leadership, many of whom had lived in exile in the Saddam Hussein era, achieved their current positions on the basis of the democratic elections staged by the U.S. after it toppled the dictatorship. As a result, they have to at least appear to respect the wishes of the voters, and Iraq's voters voted overwhelmingly for secular, multi-sectarian coalitions that ran on platforms committed to national unity and the rule of law.

Still, the way the stalemate over a new government has played out certainly raises questions over the extent of commitment among Iraq's political leaders to peace and democracy. The two biggest vote-winning coalitions — former Prime Minster Ayad Allawi's Iraqyya list, which won 91 seats in the 325-seat Council of Representatives, and incumbent Prime Minister Nuri al-Maliki's State of Law coalition, which won 89 — have almost identical platforms calling for a strong central state. Though each has a different sectarian hue — Iraqya's support base is more strongly Sunni, while State of Law is more strongly Shi'ite — both are moderate enough and sufficiently non-sectarian that they could join forces tomorrow to create a governing majority that ought to please most of their supporters. Allawi and Maliki, in fact, met on Tuesday to discuss such a prospect. But once again, the discussion remained deadlocked, because both men want to be prime minister, and neither is ready to compromise for the good of the country.

Instead, Maliki and Allawi are playing factional politics, negotiating with avowedly sectarian or ethnically oriented groups in search of a majority coalition. Maliki has united with the conservative Islamist Shi'ite parties that favor more autonomy for Shi'ite majority southern Iraq, though he still doesn't have enough votes to form a government because radical cleric Muqtada al Sadr, who controls the largest faction within the Shi'ite coalition, refuses to accept Maliki staying on as prime minister. For his part, Allawi is flirting not only with Sadr (on Monday, the two men met in Damascus and called for Maliki to step aside) but also the Kurds. This is surprising because Allawi and the Kurds were major rivals during the election and remain ideological opposites. (Allawi favors centralization in Baghdad, while the Kurds want more autonomy for Kurdish northern Iraq.)

Nevertheless, earlier this month, Allawi met with Kurdish leader Massoud Barzani and announced the need for a sort of national unity government that would include a broad array of parties, no doubt including the Kurds.

In the end, some form of national-unity government will likely emerge. The stakes are too high, and the opportunities for self-enrichment and patronage too tempting, for the various minority factions to resist backing major players with whom they have nothing in common. The U.S. and the international community would likely welcome such a development, relieved that Iraq at least has a government. But such an administration would once again be divided into the kind of ethnic and sectarian fiefdoms against which the majority of Iraqis voted. And it would find itself hamstrung, once again, when it tries to tackle intractable constitutional and financial differences on issues such as federalism and oil revenues. Either Allawi and Maliki could yet blink and allow the other to become prime minister in exchange for control of a generous slice of control over other ministries. But given the tendencies exhibited by both men in the last five months — egotistical at best, authoritarian at worst — it probably wouldn't be long before the backstabbing begins, literally.

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Cameron Diaz had a leg up at the French premiere of 'Knight and Day' on Friday. Diaz, in stilettos and a belted dress that exposed the tan line at the top of her thigh, was all smiles and towered over costar Tom Cruise, who appeared to have lost a few inches since the London premiere

Sorting the Jewels from the Junk in the iTunes Store


Remember when cell phones were just for making calls? The new iPhone 3G, which launched on July 11, dials phone numbers, but it also runs some 800 add-on applications — developers are creating more daily — that enable you to compare hotel room prices, read Shakespeare, even examine brain scans. About a quarter of the miniature applications, or apps, are free (others mostly cost less than $10 each), so Apple users are snapping them up like candy, with 10 million downloads so far. Glitches may be common as the programs work out their debut-stage kinks, but here are our picks for the coolest of the free programs

The Guy Who Hates Comic-Con Has Left Comic-Con

I gotta go. Comic-Con will have to find some way to get by without me.

The appropriate way to leave Comic-Con would be gripping the skid of a Huey as it lifts off from the roof of the San Diego convention center, Saigon-style. That option wasn't available, though give it a few years. By then it'll be a corporate-sponsored promotion, and the Huey will be advertising Scott Pilgrim V starring David Schwimmer.

It's important for people to leave Comic-Con. There are way too many people here as it is. A huge surge arrived Friday -- it was the first day I really saw those classic black-hole-gridlock Comic-Con corridors. You know that show you saw an episode of one time on a plane and you thought it was pretty OK but nothing special -- that show? The line for the panel on that show is an hour long.

So instead of going to panels I hung out at the Random House booth for a bit, where I ran into, in sequence, Christopher Paolini (Eragon), Ann VanderMeer (Weird Tales, etc.) and Justin Cronin (The Passage). I wandered over to Artists' Alley to admire John Picacio's stuff. I walked over to the panel for Super, with Rainn Wilson, Ellen Page, Liv Tyler and (audience favorite, and why not) Nathan Fillion.

It was the one time I saw Hall H with no line. They screened footage of Wilson, in a home-made superhero costume, smacking a woman with a wrench. It was hard to say which side of edgy it was on.

On my way back to my hotel, to get my stuff and go to the airport, I made a final stop: the fake 1980's Flynn's Arcade they'd set up to promote Tron: Legacy. They'd rounded up an incredible collection of vintage arcade games, including Centipede, Berserk, Robotron, Defender, Space Invaders, Asteroids, Arkanoid and (deep breath) Battle Zone. It was just like the arcades of my youth.

Except I don't remember there being quite so much Coke Zero around when I was kid. My childhood has been rebranded.
Final Comic-Con thoughts tomorrow