Thursday, August 5, 2010

In Recession, Drinking Moves from Bars to Home


When the going gets tough, the tough, um, go drinking. That's the word from a new Gallup poll showing that 67% of Americans are hitting the bottle, the most since 1985. Another sign of challenging economic times: more and more of those rounds are happening in the kitchen, not at the corner pub.


A new report by Mintel International, a market-research firm, shows that a growing number of Americans are guzzling down wine and spirits at home as opposed to in bars and restaurants, and many are trading down to cheaper brands as they seek fiscally conscious ways to party in a sluggish economy.

"We used to say that [alcohol consumption] was recession-proof or at least recession-resilient, but the rules have changed in this recession," says David Henkes, a vice president at Technomic, a research and consulting firm.

Though the recession technically ended more than a year ago, high unemployment, stagnant wages, falling home prices and shrinking retirement savings have shattered consumer confidence and affected where and how much Americans imbibe, according to the Mintel report. Traffic to restaurants has plunged, with fine-dining establishments taking the biggest hit as businesses pull back on entertaining clients and consumers keep a tighter grip on their pocketbooks.

Sales of alcoholic beverages at bars and restaurants fell 4.6% in 2009, while sales at liquor stores, supermarkets and other retailers for "at home" drinking rose 1.2%, the report said. Americans are gulping 10 drinks on average each month at home, compared with only 5.7 drinks in bars and restaurants, the report notes.

Certain drugstore chains and cash-strapped state governments are trying to cash in on the trend. In the past year, Walgreens has started stocking its shelves with beer and wine, reversing a 15-year ban on alcohol sales.


And in New York, Governor David Paterson is pushing for legislation that would end a 20-year fight to allow grocery stores to sell wine — a move that would generate about $300 million in licensing fees alone. "The governor is one of the big champions of this because they're turning over every rock they can find for revenue right now," says Dan Hendrick, communications director for the New York League of Conservation Voters, an environmental group lobbying for the change as a way to raise revenue. About 35 other states already allow this.


For the booze industry, the surge in retail sales has helped to at least partially offset the decline in restaurant sales. "The suppliers still benefit as long as they're getting the volume," says Raymond Jones, an analyst at Ragen MacKenzie, a division of Wells Fargo Investments LLC.


But penny-pinching consumers are not only avoiding restaurants but also trading down to cheaper alcohol brands to save money, the Mintel study says. At the retail level, consumers have shifted their tastes to the $8-$15 wines, from the $40-$60 class, and demand for lower-priced vodka, such as Svedka, has surged. To the chagrin of suppliers, consumers "are learning they can trade down in price without trading down in quality, especially among wine," says Craig Wolf, president and chief executive of the Wine & Spirits Wholesalers Association.


Suppliers have been taking extra steps to boost sales and protect market share in light of the downturn in restaurant and bar activity. Many are offering price discounts, adding ready-to-drink cocktails in retail stores, hosting wine-tasting events and using celebrities, such as Bruce Willis for Sobieski Vodka and Dan Aykroyd for Crystal Head Vodka, to boost sales. Traditionally, liquor producers rely on bars and restaurants to launch and market new brands, but with traffic down, they're having to find new ways to get people out to the bars "If you have Bruce Willis show up at a major nightclub with Sobieski, people are going to try it out and buy it," says Wolf.

Monday, August 2, 2010

FIFA 11 FACT SHEET


FIFA Soccer 11 reinvents player authenticity – on and off the ball – for every player and at every position on the pitch with Personality+, an all-new feature that sees individual abilities reflected in game, enabling clear differentiation for every player.

With Personality+ a player’s abilities on the pitch is mirrored authentically in game, creating individual personalities. Players will be distinguished from one another through a sophisticated database that evaluates and grades each player’s skill-set over 36 attributes and 57 traits, compiled by 1700 scouts around the world. Real Madrid’s Kaka will deliver crisp, creative passes, Barcelona’s Andres Iniesta will utilize tighter turns and close control to dribble through defenses, Manchester United’s Wayne Rooney will hold off defenders and strike shots from distance with pace, and top-flight defenders like Giorgio Chiellini of Juventus will anticipate, predict and react to offensive players to win back possession.

Goalkeepers have also been injected with Personality+. The real-life personality of the keeper, whether acrobatic or traditional, will dictate his style in game. Dive attributes will determine keepers with ability to reach for further shots while reflex attributes determine reaction times, enabling a keeper like Petr Cech of Chelsea FC to showcase world-class skills.

FIFA Soccer 11 also introduces new Pro Passing where pass accuracy is determined by a gamer’s ability on the control pad, and player skill, situation and urgency on the pitch. Plus, experience true freedom in man-to-man interactions with 360° Fight for Possession that transforms physical play from just lateral jostling to full 360° collisions.

A series of new customization tools will enable fans to transform FIFA Soccer 11 in new ways. Go online in Creation Center to create a player or team, share with friends and download into your console. Plus, assign customized chants for any team and play music tracks from your existing library within the game.

New features will be announced at Gamescom in Cologne. FIFA 11 is set to ship September 28th in NA and October 1st in EU

Johnny Flynn - Been Listening


Any music lover’s most likely said these exact words at some stage in their lives: “Why isn’t [band/artist] more well-known? They really should be!” Fans of Johnny Flynn and the Sussex Wit (to give his band some recognition) would seem to have more right to complain than others.

Over the last two-and-a-bit years, the London nu-folk scene’s picked up more plaudits than you could shake a stick at. Laura Marling picked up a Mercury for ‘Alas I Cannot Swim’, and Noah and the Whale and Mumford and Sons released albums last year, to acclaim and differing degrees of commercial success.

These three have overshadowed the rest to such an extent that they are refusing to budge and allow others to step into the limelight, which is disappointing. ‘Sigh No More’ is good, but the fact that it’s been whored around to within an inch of its life his ensured that many of us who fell from them in the first place have gone off them to various extents. It’ll be interesting to hear that second album, that’s for sure.

In the meantime, what you can do is enjoy ‘Been Listening’, Flynn and band’s second album. It’s not going to sell all that well (though we cannot fathom why; it’s accessible as they come, and quite consistent), certainly not in comparison to the aforementioned acts, but we’re of the opinion that it’s easily the equal of ‘Sigh No More’, and in many areas the better of the two.

An album like this is going to achieve critical acclaim, sure enough, but if ever there was a record that had the potential to be a sleeper hit, it would be ‘Been Listening’. Straight away, Flynn signifies that he’s not afraid to try new things; ‘Kentucky Pill’ has calypso overtones, and there’s a decent amount of brass in there, too. Musically it’s about as far as away from his debut (‘A Larum’) as you can get.

While it would suggest that he’s forsaken his folk roots, it’s misleading, as we are back into familiar territory with ‘Lost and Found’. Expansion and development are the order of the day on this album. Clarinets and muted strings envelop ‘Barnacled Warship’; ‘Sweet William, Part 2’ finds Flynn playing Marcus Mumford and company at their own game.

There are lots of ideas brought to fruition on ‘Been Listening’, but its highlight is the most stripped-back song on the album. The six-minute ‘Amazon Love’ is carried by a simple yet oddly affecting piano part, proving that Flynn’s every bit as comfortable with creating that kind of song as he is, say, writing upbeat, infectious folk-rock like ‘Agnes’. Those two songs sit side-by-side in the tracklisting, and are polar opposities, but provide a brilliant contrast.

With this record, diversity is the name of the game. From the tender balladry of the title track to the sumptuous climax that graces ‘The Prizefighter and the Heiress’, and everything in between, ‘Been Listening’ is a real treat, and rather unexpectedly so: it has staying power to burn, something that certain contemporaries can only dream about for now